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However, when I reflect on my life, I realize that my height has shaped my character in many ways and has helped to define the person I am.If I had the introverted personality my older brother had in high school, I’d probably be overwhelmed by the constant public attention.
Grounded as the story is in this journey from hell, it is easy to see Pi’s growing attachment to the tiger, though it is only really through him that the viewer develops a sense of its personality. The 3D effects used throughout are rarely extraneous or unnecessary; indeed, they have an elegant simplicity unusual in films that use them.
The landscapes, seas, and storms are at their most stunning with a washed-out palette, although Lee is tempted at times into the exaggerated psychedelic gorgeousness reminiscent of “Avatar,” with which the film has been compared on its posters. There is a bizarre mix of beautifully lifelike creatures and jarringly obviously computer-generated ones, including an eerily smooth elephant and weirdly stoned-looking orangutan.
On my first day of high school, a girl dropped her books in a busy hallway.
I crouched down to her level and gathered some of her notebooks.
Lee focuses instead on Pi’s spiritual journey, dwelling on his thoughts—explored through extensive voice-over and monologue—rather than the work of his hands or the various strategies for survival essential to the novel’s appeal.
Indeed, religion also plays a large part in Lee’s interpretation of Pi’s journey, though it is approached with lightheartedness, such as when Pi says, “Thank you, Vishnu, for introducing me to Christ.” Martel (Rafe Spall) is given a more significant role in the film; he changes from a passive recorder of events in the novel to an obvious on-screen character.Spall offers a peaceful and calm portrayal of the character that does not overshadow Pi’s story.Sharma’s first major role gives us a Pi of genuine innocence and desolation—a wise piece of casting on Lee’s part, as Sharma’s lack of exposure lends another layer of believability to the performance.This “Pi” is less concerned with the concrete reality of being stranded at sea than the novel.The tangible details of the character’s narrative voice are largely abandoned, along with the majority of the accounts of Pi’s day-to-day struggle on the lifeboat.I knew the meeting had been pushed back twice already by an unsympathetic hurricane that had left downtown Manhattan under several feet of water. I had found an agent who hadn’t run away when I finally told her that I was 15, who loved my story almost as much as I did, who submitted it and lured two — Phone call from my agent. A classmate, a car out of control, a crash into a tree.Sweaty palms and dizziness, a tap of a shaking finger to a smudged screen. A sigh and, at last, the news, that the publisher had a similar novel on her list and vetoed the editors. We used to have gym together, I didn’t know him too well, and I never would.Sharma captures Pi’s developmental arc from callow mommy’s boy to seasoned mariner through all the attendant highs, lows, and flashes of humor.However, Sharma’s skill is most clearly seen in his interactions with Richard Parker.As we both stood up, her eyes widened as I kept rising over her. Embarrassed, we both laughed and picked up the books a second time. People unfamiliar to me have always wanted to engage me in lengthy conversations, so I have had to become comfortable interacting with all kinds of people.Looking back, I realize that through years of such encounters, I have become a confident, articulate person.