Nyu Mellon Dissertation

Nyu Mellon Dissertation-10
"Rendering the ‘Zeitgeist:’ Poetics and Political Thematic in Guo Moruo’s Translation of Goethe’s Faust." Translation and Modernization in East Asia, The Chinese University of Hong Kong. "The Promethean Translator and Cannibalistic Pains: Lu Xun’s ‘Hard Translation’ as a Political Allegory." 》(The phenomenology of Zeitgeist: on Guo Moruo’s translation of Faust)." A Symposium on Contemporary Chinese Literature and Critical Theory. "《郭沫若与古诗今译的革命系谱》(Guo Moruo’s modern translations of classical poetry: a revolutionary genealogy)." .

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Awards and Honors Poet in Residence, Enclave Literature, Shenzhen, China (2018) Theodore and Jane Norman Fund (2018) Hu Shih Poetry Prize—Frist Book of Poetry (2016) The Helaine and Alvin Allen Chair in Literature (2016) Provost Research Grant (2015 - 2016) The Chiang Ching-Kuo Foundation Junior Scholar Grant (2015 - 2016) The Kermit H. "“Re-periodizing the 60s: A Maoist Internationalist Perspective”." “1968 in Global Perspectives,” the 20th Annual Comparative Literature Conference at University of South Carolina.

Perlmutter Fellow (2015 - 2016) Mandel Faculty Grant in the Humanities (2014) 2012 Poetry East West (PEW) Poetry Award (2013) Theodore and Jane Norman Fund (2013) Grant of the Mellon Dissertation Seminar on Translation (as seminar participant) (2011) Mellon Dissertation Fellowship (2011 - 2012) New York University Humanities Initiative Honorary Fellowship (2011 - 2012) Anne Kao Poetry Award (Liu Li-An shige jiang) (2007) New York University Henry M.

Third, he is completing a volume of poetic criticism in Chinese. "“The Transmediality of Anachronism: Reconsidering the Rewriting of Antiquity in Revolutionary China”." The 2018 Annual Meeting of the Association of Asian Studies.

Fourth, he is writing a series of essays in Chinese about the controversies surrounding the global 60s and its legacies. His Chinese translation of a critical biography of German-Jewish intellectual Walter Benjamin (1892-1940) is under contract and forthcoming. His first book of poetry, Baota ji qita (2015), received high acclaim.

"Ren, Geren and Renmin: The Prehistory of the New Man and Guo Moruo’s Conception of the People." .

Tokyo: University of Tokyo Philosophy Center, 2011. Each year, fellowships are awarded to three advanced doctoral students in the humanities whose dissertation research shows particular promise.Disciplines include, but are not limited to, history, art history, music, philosophy, cultural studies, literary and language studies, religious studies, drama and performance studies, cinema studies, and gender studies.Doctoral Student Fellows of the Center participate with the Faculty Fellows in the Center’s weekly luncheon seminars as well as in other events during the year.Doctoral Student Fellows are also provided with shared office space at 20 Cooper Square for the duration of the fellowships. "Sinicizing Shelley, Modernizing Shi Jing: Poetic Monism and Modernizing Translation in the Work of Guo Moruo." China in Translation, a workshop, Fairbank Center, Harvard University. "《孔夫子与“人民”:郭沫若和革命儒家的浮沉》(Confucius and the “People:” Guo Moruo and the Uncertain Fate of Revolutionary Confucianism)." Revisiting the Confucianism vs. "《青春的旅程与时代的变奏》(The journeys of youth and the variations of time: a review of Song Mingwei’s Young China)." Oct, 2017: 71-78. ""The Uses and Abuses of History for Socialism: On Some Representations of National Antiquity in Socialist China""The Uses and Abuses of History for Socialism: On Some Representations of National Antiquity in Socialist China"." The Annual Meeting of American Comparative Literature Association, Harvard University. "《郭沫若与中国革命:研究中的困难与困惑》(Guo Moruo and the Chinese Revolution).." The Institute of Advanced Studies, Chongqing University, China. "Law, Morality, and the Nation-State in the Trial of Zhou Zuoren: Revisiting the Case of Zhou’s Collaboration with Japan during the Second Sino-Japanese War." The Annual Meeting of the Association for Asian Studies (AAS), San Diego. "Modernizing the Ancient, or, how was Chinese Antiquity Rediscovered in the Twentieth Century?

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