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All in all, Barthes maintained a unique literary philosophy and a vague, eccentric writing style which was widely copied by writers worldwide.
Keeping in mind the author’s biasness and religious and political leanings while examining his texts might seem an easier way to understand his works, but in reality it is a flawed system which can potentially limit the readers’ understanding.
In his book S/Z (1970), Barthes expresses his opinion on what constitutes an ideal text.
Roland Gerard Barthes was an influential French philosopher and literary critic, who explored social theory, anthropology and semiotics, the science of symbols, and studied their impact on society.
His work left an impression on the intellectual movements of Structuralism and Post-Structuralism.
He is opposing a view of texts as expressing a distinct personality of the author.
Barthes vehemently opposes the view that authors consciously create masterpieces.
People are likely to associate any piece of clothing with luxury and beauty if fashion tells them to, according to Barthes.
Barthes’ most renowned work is an essay titled “The Death of the Author” (1967) in which he presents his famous literary theory.
By this he means that creativity is a continuous process of gradual change, which can be perfected only through constant practice and resilience.
Following his debut, his works Mythologies (1957), Critical Essays (1964) and The Eiffel Tower and Other Mythologies (1964), explore the meaning we have associated to various popular cultural icons, ranging from the world of fashion to advertising to wrestling.